A musician who fights and survives
A musician who fights and survives Saturday, January 26, 2008 Turkish Daily News
Born in İzmir, Muammer Ketencoğlu was interested in Rum music when he was very young. His passion helped him meet legendary Greek musician Mikis Teodorakis in 1996. Now he broadcasts world music on 94.9 Açık Radyo every Wednesday
VERCİHAN ZİFLİOĞLU ISTANBUL - Turkish Daily News
In a send-up to the influences of Muammer Ketencoğlu's coastal Aegean hometown of İzmir, his album “Symrna Recollections” released last week reflects his love and extensive study of Rum (Greeks with Turkish citizenship), Greek and Balkan music.
His passion put him in touch with legendary Greek musician Mikis Teodorakis in 1996, and both musicians then performed together in Greece. After these concerts, Ketencoğlu was often invited to Greece for concerts. He has performed in many countries since 1996. Ketencoğlu was born visually impaired and went to the Bornova School for the Blind boarding school in İzmir. For secondary school he attended the School for the Blind in Gaziantep, where he started to learn Rum songs from his piano teacher. Ketencoğlu spoke to the Turkish Daily News and said his piano teacher Naim Çavuş, as well as his family, largely contributed to his music career.
Ketencoğlu conducted comprehensive research on Greek music during his university years in the Department of Psychology at Boğaziçi University. In the years that followed, he focused on the connections between Anatolian, Greek, Rum and Balkan music. The musician has been doing folkloric research since 1989 and has an extensive collection of documents and LPs from all over the world. In addition to last week's release of “Symrna Recollections” from Kalan Müzik, he also has a show on 94.9 Açık Radyo, an independent radio station, from 1:00 -2:00 p.m. every Wednesday.
Rum and Balkan music on radio stations
Going to boarding schools for the blind helped him learn to fight and survive on his own, said Ketencoğlu. His uncle used to play classical Turkish music on the trumpet, he said, adding, “I have always found radios fascinating. You are free to listen to any kind of music you like on the radio. I liked to listen to Rum and Balkan music on the radio when I was a kid.” He discovered Greece's legendary musicians Mikis Teodorakis and Giorgos Dalaras when he was in secondary school and was able to analyze their styles in depth. “I was interested in Teodorakis's lyrical works that were close to folkloric music. Dalaras' velvet voice lightens my spirit. Dalaras is a master,” Ketencoğlu said. When it comes to Dalaras' ultra-nationalist political stance, Ketencoğlu said, “I am not a politician. I don't care about Dalaras' political personality. What interests me is his identity as a musician.”
When Ketencoğlu went to Vienna in 1988 he had access to LPs recorded in Anatolia at the beginning of the 20th century and thus discovered Rebetiko. Rebetiko is the music of Anatolian Rums, a blend of traditional and urban music, and it has two styles, İzmir and Pire. This genre is more popular among the middle class, Ketencoğlu said, explaining that Rebetiko is an unloved genre. “The upper classes were not interested in Rebetiko as the music represented the daily lives of the common people - the beauty of smoking hashish, tragedies and the life of the middle class.” Rebetikos from İzmir are actually in the genre of Turkish music, and are thus played with Turkish musical instruments. The Pire style is played with the guitar, mandolin and bouzouki. The İzmir and Pire types of Rebetiko came into contact after the 1923 population exchange between Turkey and Greece. “Until 1935 İzmir style songs were the most popular music in the Greek music market. Rums owned Greek music companies. So it was the Rums who determined the taste for music,” said Ketencoğlu.
'Songs don't belong anywhere'
After researching Rum, Greek and Balkan music, Ketencoğlu focused on world music. He was very much interested in western Anatolian music in 2002 and analyzed the connections between Rum, Greek and Anatolian music. As a result of his research, Ketencoğlu noted that there were significant similarities and differences between these musical genres, he said, adding, “Despite having lived together for centuries, Rums and Turks have different cultures and music.”
Sometimes debate arises about the origin of musical pieces, he said, and such debates are unnecessary. “Strong melodies are handed down like genetics in areas where they are shared. Therefore, songs do not belong anywhere.” Until recently, Rum and Greek music was banned by the Turkish Radio and Television Corporation (TRT), Ketencoğlu said, and he was once censored in northern Cyprus for singing Rum songs. However, Ketencoğlu maintains that nationalism is fiercer in Greece than in Turkey, which is more tolerant.
“Art is not as powerful as politics or economics. Art should address the heart. When people open up their hearts to music, they get rid of their obsessions,” Ketencoğlu said. He realized his longtime dream of forming the “Muammer Ketencoğlu & His Women Voice Ensemble” in 2005. The ensemble sings wedding songs, lullabies and dirges from various parts of Anatolia and is composed of 17 women from various professions, their songs bringing the culture and lifestyle of Anatolian women to the present day. www.muammerketencoglu.com
Mummer Ketencoğlu's latest album “Smyrna Recollections”
The album, called “Songs of Turks, Rums and Jews from old İzmir,” is like a journey to multicultural İzmir. A 96-page book on the history of İzmir in English and Turkish accompanies the CD of 14 İzmir songs in Turkish, Romaic (Greek) and Jewish Spanish (Ladino). The album was released by Kalan Music.
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